Film Development Charts - Black and White Film

This data is for those still using a darkroom. If you are digital this will give you an idea of what the process was like for silver based images.

Film Development - HC 110 - Dilution B
diluted 1 part stock to 7 part water           1.5 oz plus water to make 12 oz in our lab

Temperature

Normal Contrast

20% less contrast

20% more contrast

TRI - X

     

64

9 1/4 minutes

6 min

11 minutes

66

8 minutes

5 minutes

9 3/4 minutes

68 - ideal

7  1/2 minutes

4  1/2 minutes

10  1/2 minutes

70

6  3/4  minutes

4 minutes

8 minutes

72

6 minutes

3  1/2 minutes

7 1/4 minutes

74

5  1/4 minutes

Avoid

6 1/2 minutes

76

5 minutes

Avoid

6 minutes

Other Films

T - MAX 100

PLUS-X

 

65

8 minutes

6 1/2 minutes

 

68

7 minutes

6 minutes

 

70

6 1/2 minutes

5  1/2 minutes

 

Exposure of film has the greatest effect on the amount of DETAIL seen in the shadow areas of a negative. Additional exposure is the only way to get detail on this part of film.  Additional development only increases contrast by making the areas that were exposed to light darker. 

Photographs taken on a normal day with good contrast in the lighting determines the amount of contrast needed on film when processed. If the contrast of the subjet lighting is more than 3 or 4 stops (apertures difference between brightest and darkest part of scene) the film will need to be lowered in contrast.  If the subject is less than 2 stops difference in contrast the film will need to be over developed to increase contrast. 

In short - film exposed on an overcast day needs to be over developed by 20%. Film exposed on a normal day can be normal processed.  Film exposed on a clear sunny day in bright surroundings (like in the snow) needs to be under developed.  Experiment with this and see what happens with your photographs. 

Processing times above may differ from what some of our web visitors may find in their own labs.  At Santa Cruz High we process 20 rolls of film per day and have been doing this for over 25 years. As we have done this processing we have slowly created this data which seems to produce excellent results using a #3 graded photo paper using the ancient enlargers we have in the darkroom.

Differences in enlargers, paper, chemical mixing and technique can all make a difference in finished prints.  New photographic papers have a different silver content and paper base compared to papers decades ago, so processing needs to become the personal result of testing for anyone who does a lot of work in the lab.

Download a copy of the film times chart we use in class.
Download a chart that outlines the film processing steps and has typical times on it.

(you will need to right click on this to get it to load as a document to your disk rather than opening in the browser)